Communications, Drama and Film Modules 2025/6
Please note, details for interdisciplinary modules within the HASS faculty can be found here.Stage One Modules
| Code | Module Title | Credits | Term(s) | ELE link |
|---|---|---|---|---|
| CMM1001 | Perspectives on Communications | 30 | 1 | |
| CMM1002 | Communications Challenges | 30 | 1 | |
| CMM1004 | Communications Research Methods | 30 | 2 | |
| CMM1005 | Social Media and Society | 30 | 2 | |
| DRA1015 | Theatre Histories | 30 | 1 | |
| DRA1016 | Performance Analysis | 30 | 2 | |
| DRA1017 | Staging the Text | 30 | 2 | |
| DRA1018 | The Creative Actor | 30 | 1 | |
| EAF1501 | Major Debates in Film Theory | 30 | 2 | |
| EAF1504 | Introduction to Film History | 30 | 1 | |
| EAF1506 | Interrogating Screens | 30 | 1 | |
| EAF1507 | The Contemporary Film and Television Industries | 30 | 2 |
Stage Two Modules
| Code | Module Title | Credits | Term(s) | ELE link |
|---|---|---|---|---|
| CMM2002 | Communications in the Workplace | 30 | 1 | |
| CMM2008 | Communications Research Methods | 30 | 2 | |
| CMM2010 | Professional Writing | 30 | 1 | |
| CMM2012 | Communications and the Climate Crisis | 30 | 2 | |
| CMM2014 | Design Thinking | 30 | 2 | |
| CMM2016 | Economies of Engagement: Gamification and Platform Cultures | 30 | 1 | |
| CMM2017 | Internet Foundations and Frontiers | 30 | 1 | |
| CMM2018 | Media and the Law: Regulation, Governance, Ethics | 30 | 2 | |
| DRA2044 | Acting Shakespeare | 30 | 1 | |
| DRA2045 | Theatre and Health | 30 | 1 | |
| DRA2047 | Interpretive Acting | 30 | 1 | |
| DRA2061B | Digital Theatrecrafts | 30 | 1 | |
| DRA2083 | Intermedial Performance Practice | 30 | 1 | |
| DRA2087 | Activism and Performance | 30 | 1 | |
| DRA2092 | Modernist Drama in Contemporary Theatre | 30 | 2 | |
| DRA2096 | Voices Across Stage and Screen | 30 | 1 | |
| DRA2104 | Approaches to Comedy | 30 | 1 | |
| DRA2107 | Popular Performance Practices | 30 | 2 | |
| DRA2109 | Ensemble Acting: Co-Creation | 30 | 1 | |
| DRA2110 | Political Theatre: The 1980s | 30 | 2 | |
| DRA2112 | Applied Drama: Touring, Directing and Facilitating | 30 | 2 | |
| DRA2113 | Indigenous Theatre and Performance in Australia | 30 | 2 | |
| DRA2114 | New British Musicals: Industry, Identity, and Innovation | 30 | 1 | |
| EAF2502 | Shots in the Dark | 30 | 1 | |
| EAF2510 | Adaptation: Text, Image, Culture | 30 | 2 | |
| EAF2511 | Television: Times, Trends and Technologies | 30 | 2 | |
| EAF2513 | Filmmaking | 30 | 1 | |
| EAF2514 | Scrublands, Sanctuary, Screens: Co-creating Knowledges alongside Donkeys | 30 | 2 | |
| EAF2516 | Fanatical: Fan Culture and Identity | 30 | 2 | |
| EAF2518 | World Cinemas | 30 | 2 |
Stage Three Modules
| Code | Module Title | Credits | Term(s) | ELE link |
|---|---|---|---|---|
| CMM3002 | Communications: Dissertation | 30 | 2 | |
| CMM3003 | Communications: Practical Research Project | 30 | 2 | |
| CMM3005 | Gender, Sexuality and Media | 30 | 2 | |
| CMM3006 | Digital Inequalities | 30 | 1 | |
| CMM3007 | Critical AI Studies | 30 | 1 | |
| CMM3008 | Imagining Tech Futures for the Common Good | 30 | 1 | |
| CMM3009 | Selling the Self: Influencer Culture and Digital Capitalism | 30 | 2 | |
| CMM3010 | Social Media and Migration | 30 | 1 | |
| DRA3011 | Practice II: Technical Specialisation | 30 | 1 | |
| DRA3050 | Creative Industries Management | 30 | 1 | |
| DRA3061 | Practical Essay | 30 | 2 and 3 | |
| DRA3076 | The Actor's Body: Intercultural Theories and Practices | 30 | 1 | |
| DRA3088 | Women and Theatre 1700-1928 | 30 | 1 | |
| DRA3092 | Theatre for a Changing Climate | 30 | 1 | |
| DRA3094 | Theatre Dissertation | 30 | 2 | |
| DRA3102 | Audio Dramaturgy: Theatre of the Ear | 30 | 1 | |
| DRA3104 | Approaches to Acting | 30 | 1 | |
| DRA3106 | Acting for Screen | 30 | 1 | |
| DRA3108 | Applied Drama - Community, Participation and Co-Creation Projects | 30 | 1 | |
| DRA3110 | Theatre and Empire | 30 | 1 | |
| EAF3501 | American Independent Film | 30 | 2 | |
| EAF3513 | British Screens | 30 | 1 | |
| EAF3514 | Film Studies Dissertation | 30 | 2 | |
| EAF3515 | Something to See: War and Visual Media | 30 | 1 | |
| EAF3516 | Creative Film Dissertation | 30 | 2 | |
| EAF3518 | Queering British Film and Television | 30 | 1 | |
| EAF3519 | Cinema in the Anthropocene | 30 | 2 | |
| EAF3521 | Film Audiences | 30 | 2 | |
| EAF3522 | Film, Philosophy, and the Internet | 30 | 1 | |
| EAF3523 | Perspectives on Animation | 30 | 1 |
Masters Modules
| Code | Module Title | Credits | Term(s) | ELE link |
|---|---|---|---|---|
| CDFM001 | Dissertation - Written | 60 | 2 and 3 | |
| CDFM002 | Dissertation - Practice | 60 | 1, 2 and 3 | |
| CMMM001 | Media and Communications: Theory and Concepts | 30 | 1 | |
| CMMM002 | Social Media: Management and Strategy | 30 | 2 | |
| CMMM006 | Soft Power and International Communications | 30 | 2 | |
| CMMM013 | AI and Society: Critical and Cultural Perspectives | 30 | 2 | |
| CMMM014 | Industry Insights | 30 | 1 | |
| CMMM015 | Digital Media Cultures | 30 | 2 | |
| DRAM103 | Cultural Adaptation | 30 | 1 | |
| DRAM141 | Ideas Generation and the Creative Process | 30 | 1 | |
| DRAM142 | Creative Management | 30 | 2 | |
| DRAM167 | Contemporary Performance Practices: Training | 45 | 1 | |
| DRAM168 | Performance Practice Project | 45 | 2 | |
| DRAM169 | Creative Industries | 30 | 1 | |
| EAFM007 | Critical Debates in Screen Studies | 30 | 2 | |
| EAFM008 | Global Girlhoods in Film and Television | 30 | 2 | |
| EAFM009 | Transmedia Adaptations | 30 | 1 | |
| EAFM089 | Archival Encounters: Material Film Histories | 30 | 2 | |
| EAFM200 | Distribution and Markets | 30 | 1 | |
| EAFM201 | The Entertainment Value Chain | 30 | 2 | |
| EAFM202 | Models of Innovation | 30 | 2 | |
| EAFM203 | Dissertation | 60 | 3 | |
| EAFM204 | Dissertation Project | 60 | 3 | |
| EAFM205 | The International Film Business: Approaches, Concepts and Strategies | 30 | 1 | |
| EAFM911 | Dissertation | 60 | 2 and 3 |